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- <text id=90TT2399>
- <title>
- Sep. 10, 1990: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Sep. 10, 1990 Playing Cat And Mouse
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 8
- </hdr>
- <body>
- <p>THEATER
- </p>
- <p> BLACK AND BLUE. Tony winner Ruth Brown seemed irreplaceable
- as the comic heft of this gorgeous Broadway review, but LaVern
- Baker (also heard on the Dick Tracy score) gets the same laughs
- and is, if anything, torchier. In other regards this
- celebration of blues song and tap dance is better than ever:
- the all-black cast has infused a newfound Harlem funk into the
- Busby Berkeleyesque glamour.
- </p>
- <p> CAMILLE. Charles Ludlam died of AIDS in 1987, but his plays'
- nutty mix of drag-queen melodrama, camp slapstick and sly
- deconstruction lives on. His longtime companion and
- collaborator, Everett Quinton, restages and stars in yet
- another of them at off-Broadway's Ridiculous Theatrical
- Company.
- </p>
- <p> MY CHILDREN! MY AFRICA! South Africa's laureate of liberal
- anguish, Athol Fugard, staged the La Jolla Playhouse's
- production, near San Diego, of this harrowing play about the
- breakdown of civility and of the possibility for compromise in
- his native land. As always with Fugard, the language is poetic,
- the vision inspiring and the truth unflinchingly confronted.
- </p>
- <p>MOVIES
- </p>
- <p> DARKMAN. Director Sam Raimi mines comic-book terrain with
- a plucky heroine, a couple of corporate villains and plenty of
- explosive violence that virtually reads KA-BOOM! in block
- letters across the screen.
- </p>
- <p> PUMP UP THE VOLUME. By night, Mark Hunter is "Hard Harry,"
- sole owner of a pirate radio station on which he endlessly,
- maniacally articulates sedition, sexual and social, to his
- schoolmates. His monologues very possibly constitute the most
- direct and original route into the junkheap of the adolescent
- mind that any moviemaker has yet found.
- </p>
- <p>MUSIC
- </p>
- <p> PRINCE: GRAFFITI BRIDGE (Warner Bros.). The movie--a
- sequel to 1984's Purple Rain--is not out until October, but
- this funked-out, sizzling soundtrack won't wait that long.
- Sensual and spiritual: better grab it fast.
- </p>
- <p> MARK WHITFIELD: THE MARKSMAN (Warner Bros.). This
- prodigiously gifted 24-year-old jazz guitarist is right on
- target with a mellow, bluesy swing that will have you jabbing
- the "repeat" button before the first tune is over.
- </p>
- <p> BERLIOZ: LES NUITS D'ETE; MAHLER: SONGS (Bridge). The great
- mezzo-soprano Jan DeGaetani's last recording renders almost
- palpable the feelings of yearning and fleeting gaiety, along
- with the elegiac beauty, that make these songs, and her art,
- imperishable.
- </p>
- <p>TELEVISION
- </p>
- <p> LEARNING IN AMERICA: SCHOOLS THAT WORK (PBS, Sept. 5, 9 p.m.
- on most stations). Roger Mudd is the anchor for a special on
- elementary schools that are using innovative teaching
- approaches.
- </p>
- <p> MISS AMERICA PAGEANT (NBC, Sept. 8, 10 p.m. EDT). There he
- is, Mr. Miss America. Bert Parks, who got dumped as the
- pageant's longtime host in 1979, will make a return appearance
- this year to serenade a bevy of former winners.
- </p>
- <p> LIFESTORIES (NBC, Sept. 12, 10 p.m. EDT). Of the networks'
- new fall entries, this slice-of-life-and-death series about
- people going through medical crises is one of the oddest. A
- downbeat mix of soap opera, psychological drama and
- medical-advice column, it will try to woo viewers away from
- America's Funniest Home Videos. Sort of NBC's death wish.
- </p>
- <p>BOOKS
- </p>
- <p> THE ANTS by Bert Holldobler and Edward O. Wilson (Harvard;
- $65). The result of 20 years of collaborative research into the
- mysteries of the planet's most ubiquitous and useful
- invertebrate, superbly published to appeal to both specialists
- and laymen.
- </p>
- <p>ART
- </p>
- <p> RENOIR: THE GREAT BATHERS, Philadelphia Museum of Art.
- Renoir's Great Bathers combined impressionist technique and the
- classical figure to produce a manifesto on how modern painting
- could also be monumental. The famous canvas is here surrounded
- with related paintings, drawings and sculptures. Sept. 9
- through Nov. 25.
- </p>
- <p> ROMANCE OF THE TAJ MAHAL, Virginia Museum of Fine Arts,
- Richmond. During more than three centuries, people have never
- tired of looking at--or portraying--India's fabled
- building, as attested by these models, paintings, drawings,
- photos and artifacts. Through Nov. 25.
- </p>
- <p>ET CETERA
- </p>
- <p> SPLASH! Fashion Institute of Technology, New York City. A
- celebration of the swimsuit, from the armature worn by 19th
- century bathers to Rudi Gernreich's topless shocker (1964).
- Through Sept. 15.
- </p>
- <p> THREE STOOGES FESTIVAL. N'yuk, n'yuk, n'yuk! At the Akron,
- Ohio, Civic Theatre, the legacy of Larry, Curly and Moe will
- be celebrated with 21 Stooges films, look-alike contests, a
- Curly Shuffle competition and an "Alphabet Song" sing-along,
- complete with free kazoos. Sept. 7 to 9.
- </p>
- <p>FESTIVALS
- </p>
- <p> Forget last year's cultural fad, the Soviets, and this
- year's fad, the Germans. The Los Angeles Festival is betting
- that in the long haul, changing U.S. demographics will give
- primacy to the Pacific Rim, defined loosely enough to embrace
- not only Bali and Korea but also Chile and Laguna Beach. The
- 290-plus events, 70% of them free, range from Thai transvestism
- to Buddhist religious ritual, Indian dance drama to Japanese
- music, with an emphasis on performance art over literary text--as one might expect from festival artistic director Peter
- Sellars, whose oddball adaptations of stage and opera classics
- leave no spectator indifferent. Samples: the six-hour Dragon's
- Trilogy, an East-meets-West tale performed in Chinese and
- English; court dance from Java; American Indian ceremonial
- dance and birdsong; street theater staged by a troupe made up
- of the homeless. The $5 million extravaganza sprawls over six
- dozen venues until Sept. 16, and some attractions continue into
- October.
- </p>
- <p>By TIME's Reviewers. Compiled by Andrea Sachs.
- </p>
-
- </body>
- </article>
- </text>
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